欧美电影笑着哭

⑴ 有哪些可以让你笑到哭的影视剧推荐吗

《三傻大闹宝莱坞》，《神偷奶爸》，《疯狂的石头》，《夏洛克的烦恼》，《疯狂原始人》这些也是就要都非常的好看。

⑵ 如何评价电影《初恋这件小事》

喜欢这部电影，看到它，就能想到我的暗恋，和电影所说的一样，它讲出来了每个人共同经历的暗恋。虽然说第一次的喜欢最美好，但是第一次的喜欢也是最让人心疼的。

这是最合适的暗恋，也是最少见的。这种充满了幻想的爱情的故事，只能在电影里有一个圆满的句号，更多的时候我们的暗恋故事在他们的九年前就已经终结了。

有始无终，又或者无始无终。

⑶ 有什么搞笑电影推荐一下

罗马尼亚电影《无声婚礼》是一部“悲喜剧”“荒诞剧”“黑色幽默电影”，前半部让你笑得有多大声，后半部它就会让你哭得多大声。你感觉它有多荒诞，你就会觉得它有多真实。

一个人死了，另一个国家得降半旗，另一个国家的老百姓不能笑，不能唱歌，不能跳舞，不能鼓掌，也不能结婚和下葬。

明明是个悲剧，但罗马尼亚人偏要把它拍成喜剧，最后，拐了个弯，结果还是悲剧。

用喜剧的外壳，包裹着丑恶的内核。那种丑恶会放大，会变得更加荒诞不经，会让我们看得更清楚。这如同，用笑的方式哭，那是比悲伤更彻底的悲伤。
《无声婚礼》剧情
上世纪50年代初，在罗马尼亚一个偏僻山村里，住着一对炙热的小情侣：兰库和玛拉。

1953年3月6日，兰库和玛拉的婚礼如期举行。全村人盛装打扮、杀猪宰羊、敲锣打鼓……

就在这时，村支书带着一个苏联军官进了村，他说：国家领袖斯大林昨晚去世了。全国哀悼七天，所有民众集会都被禁止，违者以叛国罪论处。

新娘的爸爸说：我杀了两头牛，四头猪，等到七天之后，肉都臭了！

苏联军官说：不能破例！七天之内，禁止笑，禁止音乐，禁止 娱乐 ，禁止婚礼…

夜幕降临，全村人偷偷溜进了新郎家，婚礼照常举行。

为了不被发现，桌椅板凳裹上棉布，门窗挂上毛毯…乐队无声的演奏，小孩的嘴被堵上，一个无声的婚礼拉开了序幕。

大家无声的向新人祝福，无声的欢呼，无声的碰杯，无声的聊天，无声的鼓掌，无声的歌唱，无声的跳舞，无声的吵架…

虽然已经是万般小心，但还是出了岔子……

首先是新郎爸爸的肚子忽然发出“咕噜咕噜”的声响，众目睽睽之下，他放了一个声音绵长而清晰的响屁…

然后，新郎一时把持不住，偷偷把手伸进了新娘的大腿根部，新娘发出了尖叫……宾客们忍不住了，哄堂大笑。

最 搞笑 的是，有个坐在末席的宾客想传话给新郎，他说的原话是“祝你幸福”，这话通过一个个宾客，口口相传，最后传到新郎耳中的话是：祝你今晚全力以赴的大干一场！

然而就在这20分钟之后，剧情急转直下，苏军的坦克破墙而入，碾碎了婚房，枪杀了新娘的爸爸，抓走了包括新郎在内的全村男人…

新娘父亲被子弹射中，他低头看见干净的白衬衣上有一个红色小洞，他下意识的用手擦拭血渍，他似乎在想，今天是女儿的婚礼，我要干干净净的，体体面面的，但血渍越擦越大，鲜血染红了整个前胸，但他还在擦呀擦，他笨拙的动作充满喜感，但促使他作出这个动作的原因，却是世上最沉重的悲伤：我不想死在女儿的婚礼上。

只剩下穿着染血婚纱的新娘，在暴雨中失魂落魄…

越狱兔，动漫。真的很好看

推荐一部2004年的英国喜剧电影《丘吉尔的好莱坞生涯》。

有没有看过这样的二战动作片？首先，丘吉尔变成了美国人，身穿白色小背心，面容冷峻，俨然一个美国猛男。他来到伦敦，发现英国正在与希特勒接近，他挺身而出。如同过家家一样，丘吉尔联同美国一同拯救了人类，顺便泡上了一个姑娘，她就是年轻的依丽莎白二世。为了争夺依丽莎白二世，丘吉尔还和希特勒上演了一番明争暗斗的大戏。美国第34任总统艾森豪威尔，在影片中是个美国大兵，更 搞笑 的，是个黑人！而时任美国总统罗斯福，说话时竟然还咬牙切齿，好像要吞噬一切。乔治六世呢，不仅耳背、嗜酒，还是个抠门的家伙。希特勒意外空降到英国，但是在去往皇宫的过程中，先是 汽车 抛锚，搭车的时候，司机把他认成了卓别林，说看过他演的《淘金记》，他在里面吃鞋子，边说还边偷笑。希特勒怒火中烧，直接点了一把火，把这车给烧了。最后开着公交车进入了英国皇宫。希特勒在家里变成了妻管严，但还在外面拈花惹草，他看上了英国公主玛格丽特，硬气起来要把老婆休掉，他却死活不肯把自己的小狗让给老婆。

这部电影和《大话西游》差不多同一年代，对网络恶搞风起到了推波助澜的作用，看过这部电影，真心觉得英国人的心是真够大的，可以把领袖如此恶搞一番。看完你绝对会笑出腹肌！

1.《人在囧途》

春节将近，玩具集团老板李成功（徐峥）回长沙过年，同时在情 人曼妮（李曼）的逼迫下，准备过年后跟老婆（左小青）离婚。结果，在机场遇到前往长沙讨债的“资深”挤奶工牛耿（王宝强）后，霉运不断。命运的捉弄，牛耿一路都与李成功不期而遇。两人路途中囧事不断，也遭遇了各式各样的人和千奇百怪的事情，弄得李成功狼狈不堪，高贵形象荡然无存，牛耿却不以为然乐观积极。为了能够回家，二人结伴而行，他们换了各种交通方式奔波在回家的路上，飞机，火车，大巴，轮渡，搭货车，甚至拖拉机。但是两人还是在荒郊野外度过了大年三十，回首这一路的艰辛，与他们路途中遇到人或事，对两人人生有了很大触动。最终，在两人一路经历了从陌生人到成为朋友，牛耿的真诚也改变了李成功冷漠的性格，唤起李成功对真情的回归 。 而当疲惫的李成功回到家时，发现曼妮比他还早到一步，甚至见到了他的妻子，满怀忐忑的李成功回到家看到停留在墙上未撕去的日历，看到其乐融融的妻女与老人。鞭炮响起，李成功与妻子深情相拥，我们知道这一年，李成功回家了，不光是身体，还有心灵 。

2.《举起手来3：台儿庄之战》

讲述了中国军队和日本军队在台儿庄的大战，日本陆军士兵，中村下等兵“罗圈腿”（潘长江）也被调到了台儿庄进行战斗，郭大叔也被中国军队调到台儿庄前线战斗。一场“罗圈腿”和郭大叔的带着欢笑的战斗来开序幕。

3.《心花路放》

讲述了耿浩（黄渤饰）在生活中遭遇了 情感 危机，面对 情感 的背叛，耿浩陷入难以自拔的痛苦之中。好基友郝义（徐峥饰）为了帮助他摆脱痛苦，于是一对“暴走兄弟”带上一只狗，开始了一段 搞笑 的疯狂的猎艳之旅 。

4.《疯狂的外星人》

耿浩（黄渤饰）与一心想发大财的好兄弟大飞（沈腾饰），经营着各自惨淡的“事业”，然而“天外来客”的意外降临，打破了二人平静又拮据的生活。神秘的西方力量也派出“哼哈二将”在全球寻找外星人踪影。啼笑皆非的跨物种对决，别开生面的“星战”，在中国某海边城市激情上演。

5.《长江七号》

充满想象力的周星驰将神秘道具带入了《长江7号》。这个飞碟和我们印象中的飞碟并无区别，不过体积并不太大，相当于一个直径大约5米的凸起圆盘，散发着铝合金的银白色——事实上我们觉得除了形状之外，它似乎和“神舟”飞船非常酷似，无论大小或者那迷人的色彩。周星驰选择在一个木材仓库拍摄这惊人的起飞，两部吊车控制白昼般的灯光，另外一部相对小些的则负责吊飞碟。在一阵震耳欲聋的马达声之后，这飞碟就离开了地面开始“飞行”。

6.《厕所英雄》

印度宝莱坞喜剧， 改编自真人真事，探讨印度农村家庭普遍没有厕所，妇女必须在野外如厕的现象。女主角担任教师，嫁给男主角后，发现家中没有厕所，和男主角“闹离婚”，还来了一场革命。

川建国

很高兴回答这个问题，国内外都有很多经典优秀的 搞笑 喜剧电影，在这里给大家分享几个值得推荐的电影，让我们一起欣赏一下吧：

1.《疯狂的石头》 (2006)

14年前上映的电影，制作成本350多万，最终票房却有2350万，这部电影里捧红了一现在一众喜剧电影大佬，黄渤，王迅，郭涛，刘桦，再加整部片子的导演宁浩。

作为疯狂系列的开山之作，这部作品的成功要得益于刘德华的慧眼识珠。多线并行，黑色幽默，宁浩开创了一个先河，将中国喜剧带到了一个新的高度。这部中国喜剧的巅峰之作，众影帝的飙戏，严密的剧情，让人看得大呼过瘾之余又能开怀大笑。

2.《摩登时代》（1936）

卓别林扮演的工人整天站在流水线上拧螺丝，最后变成了机器人一般，双手不停地做着拧螺丝的动作，男人的乳头也被他当作了螺丝。他的模样滑稽可笑，观众却笑着笑着哭出来，为人物的命运感到悲伤，对资本家的剥削感到愤恨，对自己对所处其中的 社会 制度感到无尽的叹息。

3.《憨豆先生》(1990)

小时候看，觉得憨豆好笑，不管他做什么，说什么，总是忍不住笑，没有任何想法；长大一点，觉得憨豆有点可怜，他笨拙又幼稚，脑筋不转弯，时不时大脑短路，就像人群中的傻子。等到成年，经历酸甜苦辣后觉得憨豆的快乐是真的快乐。他活在自己的世界里，不在乎别人的眼光，用自己喜欢的方式生活着，最后发现憨豆的生活是自己不可企及的生活。

4.《大话西游之大圣娶亲》（1995）

夸张的戏谑和智慧的台词，如今还是会笑。但此时的笑中多了许多感怀。不管是至尊宝还是孙悟空，其实终究都没能逃出老天的安排。即使他能将不可一世的牛魔王玩弄于鼓掌，即使他能赢得美人心，他却始终都不是自由的。许多人记住了至尊宝对紫霞仙子的告白，却忘记问自己，该笑还是该哭。

5.《喜剧之王》（1999）

周星驰扮演的龙套演员尹天仇为了一盒盒饭去演尸体，有的人为尹天仇的执拗而笑，有的人为尹天仇处处碰壁，背负沉重的压力而哭。生活本身就是一场悲剧，拿来旁观却变成了一场喜剧，只不过我们身在其中所以浑然不觉。

三傻大闹宝莱坞

特朗普《美丽的风景线》

平台：抖音

很高兴回答这个问题！

强烈推荐一部美国犯罪喜剧电影——《小姐好白》

该片主要讲述了警探马库斯和凯文在搞砸了一次纽约大缉毒行动后，决定将功赎罪，保护富家姐妹千金“威尔顿姐妹”的故事。

笑点就是主演因在保护“威尔顿姐妹”的过程中发生了点意外，不得不变装所引发一连串爆笑笑点。

推荐观看。

爆笑指数

⑷ 求一篇英语电影的英文影评，600字~800字，答好给20

《卡特教头》这部电影你看过没有？Coach Carter，讲篮球教练的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch of unruly underachievers and not only made them contenders but taught them how to find the "victory within."

But while the movie's motivational message is patently praiseworthy, the game it runs across the screen, for well over two hours, is so full of familiar moves from the likes of "Stand and Deliver," "Hoosiers" and "Remember the Titans" that it finally inces more fidgeting than cheers.

Thank goodness then for go-to guy Jackson. He takes what could have been a cardboard clichŽ role and puts flesh on it with his flamboyant intelligence, some sharp speeches and, of course, that castigating stare. In fact, when he first confronts the Richmond High Oilers players in the gym, calling them out as "young sirs," there are great glimmers of his "Pulp Fiction" character, Jules Winnfield, reciting Ezekiel's prophecy of wrath against the Philistines.

Also skilled is the young ensemble cast, including Robert, Ri'chard (who plays Carter's son), Rob Brown, Antwon Tanner, and Rick Gonzalez. They come together to portray a group of impoverished student athletes with a combination of sensitivity and street-smart surliness. Their often profane repartee, peppered with racial epithets and shrewd slurs, shines as the truest part of the script. And singer-songwriter Ashanti makes her acting debut with a thoroughly natural performance as the pregnant girlfriend of one of the players.

What doesn't work is the plodding pace director Thomas Carter ("Save the Last Dance") sets. The story line builds to the moment when Carter antagonizes the community by padlocking the doors to the gym and benching the entire undefeated team because some of the players haven't fulfilled their written contract to keep up their grades. And then it goes on and on from there, losing its momentum and dramatic tension in several tired subplots and at least one too many basketball games decided at the buzzer.
Samuel L. Jackson made news last week by refusing to co-star with 50 Cent in a movie based on the rapper's life. He not only refused, but did it publicly, even though the film is to be directed by six-time Oscar nominee Jim Sheridan ("In America"). A clue to Jackson's thinking may be found in his new film, "Coach Carter," based on the true story of a California high school basketball coach who placed grades ahead of sports. Like Bill Cosby, Jackson is arguing against the anti-intellectual message that success for young black males is better sought in the worlds of rap and sports than in the classroom.

There is however another aspect to Jackson's refusal: He said he thought Sheridan wanted him to "lend legitimacy" to 50 Cent's acting debut. He might have something there. Jackson has an authority on the screen; he occupies a character with compelling force, commanding attention and can bring class to a movie. He might, he said, be interested in working with 50 Cent after the rapper makes another five movies or so, and earns his chops.

This reasoning may not be fair. Consider the work that Ice Cube did in "Boyz N the Hood" (1991), his first movie and the beginning of a successful acting career. Or look at the promise that Tupac Shakur showed, especially in his last feature, "Gridlock'd" (1997), holding his own with the veteran Tim Roth. Maybe 50 Cent has the stuff to be an actor. Maybe not. Jackson's decision may have more to do with the underlying values of the rapper's life; he may not consider 50 Cent's career, so often involving violent episodes, to be much of a role model.

Role models are what "Coach Carter," Jackson's new film, is all about. He plays Ken Carter, who began as a sports star at Richmond (California) High School, setting records that still stand, and then had success in the military and as a small businessman. He's asked to take over as basketball coach, an unpaid volunteer position; the former coach tells him, "I can't get them to show up for school." Ken Carter thinks he can fix that.

The movie was directed by Thomas Carter ("Save the Last Dance"), no relation to the coach. It follows long-established genre patterns; it's not only a sports movie with the usual big games and important shots, but also a coach movie, with inspiring locker room speeches and difficult moral decisions. There are certain parallels with "Friday Night Lights," although there it's the movie itself, and not the coach, that underlines the futility of high school stars planning on pro sports as a career.

Certainly both movies give full weight to public opinion in the communities where they're set -- places where the public's interest in secondary ecation seems entirely focused on sports, where coaches are more important than teachers, where scores are more important than grades.

Coach Carter wants to change all that. He walks into a gymnasium ruled by loud, arrogant, disrespectful student jocks, and commands attention with the fierceness of his attitude. He makes rules. He requires the students to sign a contract, promising to maintain a decent grade-point average as the price of being on the team. He deals with the usual personnel problems; a star player named Kenyon Stone (Ron Brown) has a pregnant girlfriend named Kyra (R&B singer Ashanti, in her, ahem, first role), and she sees a threat to her future in Carter's determination to get his players into college.

Ken Carter's most dramatic decision, which got news coverage in 1999, was to lock the gymnasium, forfeit games and endanger the team's title chances after some of his players refused to live up to the terms of the contract. The community of course was outraged that a coach would put grades above winning games; for them, the future for the student athletes lies in the NBA, not ecation.

Given the odds against making it in the NBA (dramatically demonstrated in the great documentary "Hoop Dreams"), this reasoning is like considering the lottery a better bet than working for a living.

Jackson has the usual big speeches assigned to all coaches in all sports movies, and delivers on them, big time. His passion makes familiar scenes feel new. "I see a system that's designed for you to fail," he tells his players, pointing out that young black men are 80 percent more likely to go to prison than to go to college. The movie's closing credits indicate that six of the team members did go on to college, five with scholarships. Lives, not games, were won.
从剧情本身，到主演Samuel Jackson的分析，很到位了，你可以用用；当然这部电影也不错你可以有空看看，打字打得累死了，嘿嘿；新年快乐啊

⑸ 喜剧就是以笑的方式哭，有哪些让你感动到笑着哭出来的的喜剧

有些电影明明是让你笑的，明明是一部喜剧，可是一旦看完后，就哭的泪流满面了。笑着笑着就哭了，哭着哭着又笑了，这些电影却一部部都在激动着你的心。一起来看看那些电影是不仅能让你笑，还能让你哭的。

《三傻大闹宝莱坞》

这部剧也是看着笑，笑着哭的电影。虽然这部片没有什么深仇大恨，但是就给人一种想哭的感受。开始笑了，然后哭了，又笑了，又哭了，最后还是哭着笑了。剧情前后呼应之巧妙值得称奇。“做一名摄影家又会怎样呢?挣得少一点，房子小一点，车小一点，但我会很快乐，很幸福……紧跟你的天赋。

⑹ 你都喜欢过哪些好莱坞的电影

好莱坞作为电影的梦工厂，创造了很多银幕佳话，但这些影片之所以堪称经典，是可以跨越民族和语言，传递人们的真善美等一切人类共有的美好情感。

十佳剧情片：

1) 肖申克的救赎（刺激1995）：男人必看的励志影片。

2) 教父（1、2）：经典黑帮片，有此作品，其他同类一概低头。

3)美国往事：整个人生都在里面。

6) 刀锋战士（1、2）：新式吸血鬼动作片，非常另类和华丽。

7) 神秘的黄玫瑰系列：呵呵因为看的时候年纪小，觉得比西部片还经典。

8)复仇：也是罗马尼亚的老电影，这部影片的枪战让人百看不厌。

9) 三步杀人曲系列：干净利落的墨西哥风格枪战电影。

10) 第一滴血（1）：有内涵有力度有故事，是史泰龙为数不多的好片。

答主：王忠玮，邀你关注微信公众号【营销航班】