歐美電影笑著哭

⑴ 有哪些可以讓你笑到哭的影視劇推薦嗎

《三傻大鬧寶萊塢》，《神偷奶爸》，《瘋狂的石頭》，《夏洛克的煩惱》，《瘋狂原始人》這些也是就要都非常的好看。

⑵ 如何評價電影《初戀這件小事》

喜歡這部電影，看到它，就能想到我的暗戀，和電影所說的一樣，它講出來了每個人共同經歷的暗戀。雖然說第一次的喜歡最美好，但是第一次的喜歡也是最讓人心疼的。

這是最合適的暗戀，也是最少見的。這種充滿了幻想的愛情的故事，只能在電影里有一個圓滿的句號，更多的時候我們的暗戀故事在他們的九年前就已經終結了。

有始無終，又或者無始無終。

⑶ 有什麼搞笑電影推薦一下

羅馬尼亞電影《無聲婚禮》是一部「悲喜劇」「荒誕劇」「黑色幽默電影」，前半部讓你笑得有多大聲，後半部它就會讓你哭得多大聲。你感覺它有多荒誕，你就會覺得它有多真實。

一個人死了，另一個國家得降半旗，另一個國家的老百姓不能笑，不能唱歌，不能跳舞，不能鼓掌，也不能結婚和下葬。

明明是個悲劇，但羅馬尼亞人偏要把它拍成喜劇，最後，拐了個彎，結果還是悲劇。

用喜劇的外殼，包裹著丑惡的內核。那種丑惡會放大，會變得更加荒誕不經，會讓我們看得更清楚。這如同，用笑的方式哭，那是比悲傷更徹底的悲傷。
《無聲婚禮》劇情
上世紀50年代初，在羅馬尼亞一個偏僻山村裡，住著一對炙熱的小情侶：蘭庫和瑪拉。

1953年3月6日，蘭庫和瑪拉的婚禮如期舉行。全村人盛裝打扮、殺豬宰羊、敲鑼打鼓……

就在這時，村支書帶著一個蘇聯軍官進了村，他說：國家領袖斯大林昨晚去世了。全國哀悼七天，所有民眾集會都被禁止，違者以叛國罪論處。

新娘的爸爸說：我殺了兩頭牛，四頭豬，等到七天之後，肉都臭了！

蘇聯軍官說：不能破例！七天之內，禁止笑，禁止音樂，禁止 娛樂 ，禁止婚禮…

夜幕降臨，全村人偷偷溜進了新郎家，婚禮照常舉行。

為了不被發現，桌椅板凳裹上棉布，門窗掛上毛毯…樂隊無聲的演奏，小孩的嘴被堵上，一個無聲的婚禮拉開了序幕。

大家無聲的向新人祝福，無聲的歡呼，無聲的碰杯，無聲的聊天，無聲的鼓掌，無聲的歌唱，無聲的跳舞，無聲的吵架…

雖然已經是萬般小心，但還是出了岔子……

首先是新郎爸爸的肚子忽然發出「咕嚕咕嚕」的聲響，眾目睽睽之下，他放了一個聲音綿長而清晰的響屁…

然後，新郎一時把持不住，偷偷把手伸進了新娘的大腿根部，新娘發出了尖叫……賓客們忍不住了，鬨堂大笑。

最 搞笑 的是，有個坐在末席的賓客想傳話給新郎，他說的原話是「祝你幸福」，這話通過一個個賓客，口口相傳，最後傳到新郎耳中的話是：祝你今晚全力以赴的大幹一場！

然而就在這20分鍾之後，劇情急轉直下，蘇軍的坦克破牆而入，碾碎了婚房，槍殺了新娘的爸爸，抓走了包括新郎在內的全村男人…

新娘父親被子彈射中，他低頭看見干凈的白襯衣上有一個紅色小洞，他下意識的用手擦拭血漬，他似乎在想，今天是女兒的婚禮，我要乾乾凈凈的，體體面面的，但血漬越擦越大，鮮血染紅了整個前胸，但他還在擦呀擦，他笨拙的動作充滿喜感，但促使他作出這個動作的原因，卻是世上最沉重的悲傷：我不想死在女兒的婚禮上。

只剩下穿著染血婚紗的新娘，在暴雨中失魂落魄…

越獄兔，動漫。真的很好看

推薦一部2004年的英國喜劇電影《丘吉爾的好萊塢生涯》。

有沒有看過這樣的二戰動作片？首先，丘吉爾變成了美國人，身穿白色小背心，面容冷峻，儼然一個美國猛男。他來到倫敦，發現英國正在與希特勒接近，他挺身而出。如同過家家一樣，丘吉爾聯同美國一同拯救了人類，順便泡上了一個姑娘，她就是年輕的依麗莎白二世。為了爭奪依麗莎白二世，丘吉爾還和希特勒上演了一番明爭暗鬥的大戲。美國第34任總統艾森豪威爾，在影片中是個美國大兵，更 搞笑 的，是個黑人！而時任美國總統羅斯福，說話時竟然還咬牙切齒，好像要吞噬一切。喬治六世呢，不僅耳背、嗜酒，還是個摳門的傢伙。希特勒意外空降到英國，但是在去往皇宮的過程中，先是 汽車 拋錨，搭車的時候，司機把他認成了卓別林，說看過他演的《淘金記》，他在裡面吃鞋子，邊說還邊偷笑。希特勒怒火中燒，直接點了一把火，把這車給燒了。最後開著公交車進入了英國皇宮。希特勒在家裡變成了妻管嚴，但還在外面拈花惹草，他看上了英國公主瑪格麗特，硬氣起來要把老婆休掉，他卻死活不肯把自己的小狗讓給老婆。

這部電影和《大話西遊》差不多同一年代，對網路惡搞風起到了推波助瀾的作用，看過這部電影，真心覺得英國人的心是真夠大的，可以把領袖如此惡搞一番。看完你絕對會笑出腹肌！

1.《人在囧途》

春節將近，玩具集團老闆李成功（徐崢）回長沙過年，同時在情 人曼妮（李曼）的逼迫下，准備過年後跟老婆（左小青）離婚。結果，在機場遇到前往長沙討債的「資深」擠奶工牛耿（王寶強）後，霉運不斷。命運的捉弄，牛耿一路都與李成功不期而遇。兩人路途中囧事不斷，也遭遇了各式各樣的人和千奇百怪的事情，弄得李成功狼狽不堪，高貴形象盪然無存，牛耿卻不以為然樂觀積極。為了能夠回家，二人結伴而行，他們換了各種交通方式奔波在回家的路上，飛機，火車，大巴，輪渡，搭貨車，甚至拖拉機。但是兩人還是在荒郊野外度過了大年三十，回首這一路的艱辛，與他們路途中遇到人或事，對兩人人生有了很大觸動。最終，在兩人一路經歷了從陌生人到成為朋友，牛耿的真誠也改變了李成功冷漠的性格，喚起李成功對真情的回歸 。 而當疲憊的李成功回到家時，發現曼妮比他還早到一步，甚至見到了他的妻子，滿懷忐忑的李成功回到家看到停留在牆上未撕去的日歷，看到其樂融融的妻女與老人。鞭炮響起，李成功與妻子深情相擁，我們知道這一年，李成功回家了，不光是身體，還有心靈 。

2.《舉起手來3：台兒庄之戰》

講述了中國軍隊和日本軍隊在台兒庄的大戰，日本陸軍士兵，中村下等兵「羅圈腿」（潘長江）也被調到了台兒庄進行戰斗，郭大叔也被中國軍隊調到台兒庄前線戰斗。一場「羅圈腿」和郭大叔的帶著歡笑的戰斗來開序幕。

3.《心花路放》

講述了耿浩（黃渤飾）在生活中遭遇了 情感 危機，面對 情感 的背叛，耿浩陷入難以自拔的痛苦之中。好基友郝義（徐崢飾）為了幫助他擺脫痛苦，於是一對「暴走兄弟」帶上一隻狗，開始了一段 搞笑 的瘋狂的獵艷之旅 。

4.《瘋狂的外星人》

耿浩（黃渤飾）與一心想發大財的好兄弟大飛（沈騰飾），經營著各自慘淡的「事業」，然而「天外來客」的意外降臨，打破了二人平靜又拮據的生活。神秘的西方力量也派出「哼哈二將」在全球尋找外星人蹤影。啼笑皆非的跨物種對決，別開生面的「星戰」，在中國某海邊城市激情上演。

5.《長江七號》

充滿想像力的周星馳將神秘道具帶入了《長江7號》。這個飛碟和我們印象中的飛碟並無區別，不過體積並不太大，相當於一個直徑大約5米的凸起圓盤，散發著鋁合金的銀白色——事實上我們覺得除了形狀之外，它似乎和「神舟」飛船非常酷似，無論大小或者那迷人的色彩。周星馳選擇在一個木材倉庫拍攝這驚人的起飛，兩部吊車控制白晝般的燈光，另外一部相對小些的則負責吊飛碟。在一陣震耳欲聾的馬達聲之後，這飛碟就離開了地面開始「飛行」。

6.《廁所英雄》

印度寶萊塢喜劇， 改編自真人真事，探討印度農村家庭普遍沒有廁所，婦女必須在野外如廁的現象。女主角擔任教師，嫁給男主角後，發現家中沒有廁所，和男主角「鬧離婚」，還來了一場革命。

川建國

很高興回答這個問題，國內外都有很多經典優秀的 搞笑 喜劇電影，在這里給大家分享幾個值得推薦的電影，讓我們一起欣賞一下吧：

1.《瘋狂的石頭》 (2006)

14年前上映的電影，製作成本350多萬，最終票房卻有2350萬，這部電影里捧紅了一現在一眾喜劇電影大佬，黃渤，王迅，郭濤，劉樺，再加整部片子的導演寧浩。

作為瘋狂系列的開山之作，這部作品的成功要得益於劉德華的慧眼識珠。多線並行，黑色幽默，寧浩開創了一個先河，將中國喜劇帶到了一個新的高度。這部中國喜劇的巔峰之作，眾影帝的飆戲，嚴密的劇情，讓人看得大呼過癮之餘又能開懷大笑。

2.《摩登時代》（1936）

卓別林扮演的工人整天站在流水線上擰螺絲，最後變成了機器人一般，雙手不停地做著擰螺絲的動作，男人的乳頭也被他當作了螺絲。他的模樣滑稽可笑，觀眾卻笑著笑著哭出來，為人物的命運感到悲傷，對資本家的剝削感到憤恨，對自己對所處其中的 社會 制度感到無盡的嘆息。

3.《憨豆先生》(1990)

小時候看，覺得憨豆好笑，不管他做什麼，說什麼，總是忍不住笑，沒有任何想法；長大一點，覺得憨豆有點可憐，他笨拙又幼稚，腦筋不轉彎，時不時大腦短路，就像人群中的傻子。等到成年，經歷酸甜苦辣後覺得憨豆的快樂是真的快樂。他活在自己的世界裡，不在乎別人的眼光，用自己喜歡的方式生活著，最後發現憨豆的生活是自己不可企及的生活。

4.《大話西遊之大聖娶親》（1995）

誇張的戲謔和智慧的台詞，如今還是會笑。但此時的笑中多了許多感懷。不管是至尊寶還是孫悟空，其實終究都沒能逃出老天的安排。即使他能將不可一世的牛魔王玩弄於鼓掌，即使他能贏得美人心，他卻始終都不是自由的。許多人記住了至尊寶對紫霞仙子的告白，卻忘記問自己，該笑還是該哭。

5.《喜劇之王》（1999）

周星馳扮演的龍套演員尹天仇為了一盒盒飯去演屍體，有的人為尹天仇的執拗而笑，有的人為尹天仇處處碰壁，背負沉重的壓力而哭。生活本身就是一場悲劇，拿來旁觀卻變成了一場喜劇，只不過我們身在其中所以渾然不覺。

三傻大鬧寶萊塢

特朗普《美麗的風景線》

平台：抖音

很高興回答這個問題！

強烈推薦一部美國犯罪喜劇電影——《小姐好白》

該片主要講述了警探馬庫斯和凱文在搞砸了一次紐約大緝毒行動後，決定將功贖罪，保護富家姐妹千金「威爾頓姐妹」的故事。

笑點就是主演因在保護「威爾頓姐妹」的過程中發生了點意外，不得不變裝所引發一連串爆笑笑點。

推薦觀看。

爆笑指數

⑷ 求一篇英語電影的英文影評，600字~800字，答好給20

《卡特教頭》這部電影你看過沒有？Coach Carter，講籃球教練的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch of unruly underachievers and not only made them contenders but taught them how to find the "victory within."

But while the movie's motivational message is patently praiseworthy, the game it runs across the screen, for well over two hours, is so full of familiar moves from the likes of "Stand and Deliver," "Hoosiers" and "Remember the Titans" that it finally inces more fidgeting than cheers.

Thank goodness then for go-to guy Jackson. He takes what could have been a cardboard clichŽ role and puts flesh on it with his flamboyant intelligence, some sharp speeches and, of course, that castigating stare. In fact, when he first confronts the Richmond High Oilers players in the gym, calling them out as "young sirs," there are great glimmers of his "Pulp Fiction" character, Jules Winnfield, reciting Ezekiel's prophecy of wrath against the Philistines.

Also skilled is the young ensemble cast, including Robert, Ri'chard (who plays Carter's son), Rob Brown, Antwon Tanner, and Rick Gonzalez. They come together to portray a group of impoverished student athletes with a combination of sensitivity and street-smart surliness. Their often profane repartee, peppered with racial epithets and shrewd slurs, shines as the truest part of the script. And singer-songwriter Ashanti makes her acting debut with a thoroughly natural performance as the pregnant girlfriend of one of the players.

What doesn't work is the plodding pace director Thomas Carter ("Save the Last Dance") sets. The story line builds to the moment when Carter antagonizes the community by padlocking the doors to the gym and benching the entire undefeated team because some of the players haven't fulfilled their written contract to keep up their grades. And then it goes on and on from there, losing its momentum and dramatic tension in several tired subplots and at least one too many basketball games decided at the buzzer.
Samuel L. Jackson made news last week by refusing to co-star with 50 Cent in a movie based on the rapper's life. He not only refused, but did it publicly, even though the film is to be directed by six-time Oscar nominee Jim Sheridan ("In America"). A clue to Jackson's thinking may be found in his new film, "Coach Carter," based on the true story of a California high school basketball coach who placed grades ahead of sports. Like Bill Cosby, Jackson is arguing against the anti-intellectual message that success for young black males is better sought in the worlds of rap and sports than in the classroom.

There is however another aspect to Jackson's refusal: He said he thought Sheridan wanted him to "lend legitimacy" to 50 Cent's acting debut. He might have something there. Jackson has an authority on the screen; he occupies a character with compelling force, commanding attention and can bring class to a movie. He might, he said, be interested in working with 50 Cent after the rapper makes another five movies or so, and earns his chops.

This reasoning may not be fair. Consider the work that Ice Cube did in "Boyz N the Hood" (1991), his first movie and the beginning of a successful acting career. Or look at the promise that Tupac Shakur showed, especially in his last feature, "Gridlock'd" (1997), holding his own with the veteran Tim Roth. Maybe 50 Cent has the stuff to be an actor. Maybe not. Jackson's decision may have more to do with the underlying values of the rapper's life; he may not consider 50 Cent's career, so often involving violent episodes, to be much of a role model.

Role models are what "Coach Carter," Jackson's new film, is all about. He plays Ken Carter, who began as a sports star at Richmond (California) High School, setting records that still stand, and then had success in the military and as a small businessman. He's asked to take over as basketball coach, an unpaid volunteer position; the former coach tells him, "I can't get them to show up for school." Ken Carter thinks he can fix that.

The movie was directed by Thomas Carter ("Save the Last Dance"), no relation to the coach. It follows long-established genre patterns; it's not only a sports movie with the usual big games and important shots, but also a coach movie, with inspiring locker room speeches and difficult moral decisions. There are certain parallels with "Friday Night Lights," although there it's the movie itself, and not the coach, that underlines the futility of high school stars planning on pro sports as a career.

Certainly both movies give full weight to public opinion in the communities where they're set -- places where the public's interest in secondary ecation seems entirely focused on sports, where coaches are more important than teachers, where scores are more important than grades.

Coach Carter wants to change all that. He walks into a gymnasium ruled by loud, arrogant, disrespectful student jocks, and commands attention with the fierceness of his attitude. He makes rules. He requires the students to sign a contract, promising to maintain a decent grade-point average as the price of being on the team. He deals with the usual personnel problems; a star player named Kenyon Stone (Ron Brown) has a pregnant girlfriend named Kyra (R&B singer Ashanti, in her, ahem, first role), and she sees a threat to her future in Carter's determination to get his players into college.

Ken Carter's most dramatic decision, which got news coverage in 1999, was to lock the gymnasium, forfeit games and endanger the team's title chances after some of his players refused to live up to the terms of the contract. The community of course was outraged that a coach would put grades above winning games; for them, the future for the student athletes lies in the NBA, not ecation.

Given the odds against making it in the NBA (dramatically demonstrated in the great documentary "Hoop Dreams"), this reasoning is like considering the lottery a better bet than working for a living.

Jackson has the usual big speeches assigned to all coaches in all sports movies, and delivers on them, big time. His passion makes familiar scenes feel new. "I see a system that's designed for you to fail," he tells his players, pointing out that young black men are 80 percent more likely to go to prison than to go to college. The movie's closing credits indicate that six of the team members did go on to college, five with scholarships. Lives, not games, were won.
從劇情本身，到主演Samuel Jackson的分析，很到位了，你可以用用；當然這部電影也不錯你可以有空看看，打字打得累死了，嘿嘿；新年快樂啊

⑸ 喜劇就是以笑的方式哭，有哪些讓你感動到笑著哭出來的的喜劇

有些電影明明是讓你笑的，明明是一部喜劇，可是一旦看完後，就哭的淚流滿面了。笑著笑著就哭了，哭著哭著又笑了，這些電影卻一部部都在激動著你的心。一起來看看那些電影是不僅能讓你笑，還能讓你哭的。

《三傻大鬧寶萊塢》

這部劇也是看著笑，笑著哭的電影。雖然這部片沒有什麼深仇大恨，但是就給人一種想哭的感受。開始笑了，然後哭了，又笑了，又哭了，最後還是哭著笑了。劇情前後呼應之巧妙值得稱奇。「做一名攝影家又會怎樣呢?掙得少一點，房子小一點，車小一點，但我會很快樂，很幸福……緊跟你的天賦。

⑹ 你都喜歡過哪些好萊塢的電影

好萊塢作為電影的夢工廠，創造了很多銀幕佳話，但這些影片之所以堪稱經典，是可以跨越民族和語言，傳遞人們的真善美等一切人類共有的美好情感。

十佳劇情片：

1) 肖申克的救贖（刺激1995）：男人必看的勵志影片。

2) 教父（1、2）：經典黑幫片，有此作品，其他同類一概低頭。

3)美國往事：整個人生都在裡面。

6) 刀鋒戰士（1、2）：新式吸血鬼動作片，非常另類和華麗。

7) 神秘的黃玫瑰系列：呵呵因為看的時候年紀小，覺得比西部片還經典。

8)復仇：也是羅馬尼亞的老電影，這部影片的槍戰讓人百看不厭。

9) 三步殺人曲系列：干凈利落的墨西哥風格槍戰電影。

10) 第一滴血（1）：有內涵有力度有故事，是史泰龍為數不多的好片。

答主：王忠瑋，邀你關注微信公眾號【營銷航班】